The process, materials, and size in this version of Momentary Messages of Truths are similar to those in the first two versions.

This is the original image used in the inkjet print. It is a detail photograph of the painting Good Witches of the Between, Part Seven.

However, there are differences between this version and the previous two. First, Petra began the process by wetting down areas of the inkjet prints, wetting the blank sheets of paper, and making the initial contact print. Petra was not involved in this part of the process. The papers were allowed to dry briefly on the studio floor. Here is a photo.

Second, Robyn took over the next step in the process by painting into areas of the inkjet print and then pulling the contact print using the Japanese baren and a sheet of buffer paper.

The scanning process was the same as in the previous two versions. Here are the results.