I first began thinking about what this research project could become in winter 2016. At that time I began an annotated bibliography. This I consider the ‘master bibliography’ or documentation of the portion of my research not coming directly through my own studio practice but through the information and ideas of others which I use to construct and support my own ideas -both written and painted.
This master bibliography served as the basis for the (potential) bibliography I submitted as part of RDC1 in late January 2017. From my point of view, that bibliography, already quite extensive, had a different purpose -to provide a glimpse of potential resources- rather than as a bibliography one would find attached to an existing written documentation of research already performed -to list resources cited/influencing the research/writing. Therefore, I took the liberty to format it in a manner different from the standard single, alphabetized list. The approach to formatting I chose was to divide the entries into various subgroups with headings reflective of the areas of research each entry might have the greatest likelihood of impact. Breaking apart of the single list and dividing into subgroups allowed me to think of the questions of my research AND how the research and written exegesis might be structured from a different perspective than if I had simply treated the bibliography as a single list. That exercise also developed my awareness of ways in which I could apply the bibliography -or rather, the contents of the ‘master list’- as a tool whose purpose is to assist and enhance the (self) reflective in action portion of my research.
What this has meant practically is over the previous four to five months I have gone back to the bibliography -both the annotated, master bibliography and the bibliography submitted with RDC1- and began to pick them apart; selecting some entries to revisit and reconsider the ideas that originally drew me to including them in the potential bibliography. I like to think of the annotated, master bibliography as a living, breathing document. As I encounter more sources the list breathes them, and they are added to the list. However, inhaling implies that at some point there is also an exhale. Because the annotated, master bibliography is also a record of all sources, the exhale that might seem most logical for the list, the opposite of additions to the list -subtracting entries- is not feasible. Therefore, what I’ve decided to begin doing when I revisit the list - or at least every few months- is to export the list minus the annotations to a Word doc which I can then edit. The editing process will consist of subtracting from that document (not the master bibliography!) any entries whose relevance to the research project has diminished over the previous months to the point that they really no longer appear as significant to the project itself. Because the master bibliography remains unaltered any entries subtracted may find their way back onto a future list.
By condensing the list to those resources which I have been consulting; and to resources that might not yet have been (re)visited, but due to the annotation of the entry point to a potential relevance to the project, I am able to take a more focused look at the project from the point of view of the bibliography, and, perhaps, create new or condense the existing subgroups in order to (re)map or (re)structure the project based on the insight gained of the research to date through the reflective analysis of bibliographic list.
To sum up, the purpose of this writing is to clarify the multi-purposes of the bibliography to my research practice. The first purpose is fulfilled by the annotated bibliography which serves as a master list documenting all resources/sources consulted in my research. The second purpose is as a tool to be applied to the project aiding me, the researcher, in reflective analysis of the research both scholarly and in the studio. The third purpose is to give credit to authors and sources cited in my research within the context of the written exegesis.
Below is an example of the current bibliographic list I am in the process of editing and analyzing:
Bibliography Edit June 2017
Abstract Art Pouring Circle Techniques 01. Perf. Sami Hanna. YouTube/Abstract Art Pouring Circle Techniques 01. Sami Hanna, 17 July 2014. Web.
Abstract Expressionism by MABO. Perf. MABO. YouTube/Abstract Expressionism by MABO. MABO Art, 3 May 2016. Web.
Abstract Painting A´la Bollywood, Palette Knife, Acrylic Painting, Acrylmalerei, Bunt, Glitter. Perf. Brigitte König. YouTube/Abstract Painting A´la Bollywood, Palette Knife, Acrylic Painting, Acrylmalerei, Bunt, Glitter. Brigitte König, 2 Oct. 2016. Web.
Abstract Urban Art by Swarez. Perf. Swarez. YouTube/Abstract Urban Art by Swarez. Swarez Art, 20 Aug. 2010. Web.
Abstrakte Malerei - Abstract Art Painting with 3 Colors by Brigitte König - Fluid Acrylic Painting. Perf. Brigitte König. YouTube/Abstrakte Malerei - Abstract Art Painting with 3 Colors by Brigitte König - Fluid Acrylic Painting. Brigitte König, 6 May 2014. Web.
Abstrakte Malerei, Acrylmalerei, Abstract Art Painting with Acrylics and Ink. Perf. Brigitte König. YouTube/Abstrakte Malerei, Acrylmalerei, Abstract Art Painting with Acrylics and Ink. Brigitte König, 4 Aug. 2016. Web.
Ackerman, Diane. Deep Play. New York: Random House, 1999. Print.
Acrylmalerei Einfache Technik, Abstract Art Painting, How To, Abstract, Fluid, Abstrakte Malerei. Perf. Brigitte König. YouTube/Acrylmalerei Einfache Technik, Abstract Art Painting, How To, Abstract, Fluid, Abstrakte Malerei. Brigitte König, 3 Aug. 2014. Web.
Acrylmalerei Fließtechnik Farben Verdünnen, Fluid Acrylic Painting How to Thin down Paint Colors. Perf. Brigitte König. YouTube/Acrylmalerei Fließtechnik Farben Verdünnen, Fluid Acrylic Painting How to Thin down Paint Colors. Brigitte König, 18 Jan. 2015. Web.
Antin, Eleanor, Huey Copeland, Malik Gaines, Alexandro Segade, Henry M. Sayre, and Emily Liebert. Multiple Occupancy: Eleanor Antin's "selves". New York: Wallach Art Gallery, 2013. Print.
"Artists Documentation Program." Artists Documentation Program RSS. The Menil Collection | Whitney Museum of American Art | Center for the Technical Study of Modern Art, Harvard Art Museums, n.d. Web.
Astala, Lauri. "On Disappearance." On Disappearance. Lauri Astala, 2012. Web.
Auslander, Philip. Performing Glam Rock: Gender and Theatricality in Popular Music. Ann Arbor, MI: U of Michigan, 2006. Print.
Author: The JT LeRoy Story. Dir. Jeff Feuerzeig. Perf. Laura Albert. A&E Indie Films, 2016. Film.
Bachelard, Gaston, M. Jolas, and John R. Stilgoe. The Poetics of Space. Boston: Beacon, 1994. Print.
Barkun, Deborah. "The Artist as a Work-in-Progress: General Idea and the Construction of Collective Identity." Forum for Modern Language Studies 48.4 (2012): 453-67. Web.
Barthes, Roland, and Cy Twombly. Roland Barthes, Cy Twombly. Berlin: Merve Verlag, 1983. Print.
Barthes, Roland, and Stephen Heath. Image, Music, Text. New York: Hill and Wang, 1977. Print.
Barthes, Roland, Richard Miller, and Richard Howard. The Pleasure of the Text. New York: Hill and Wang, 1975. Print.
Baum, Kelly, Andrea Bayer, Sheena Wagstaff, Carmen Bambach, Thomas Beard, David Bomford, David Blayney. Brown, Nicholas Cullinan, Michael Gallagher, Asher Ethan. Miller, Nadine Orenstein, Diana Widmaier Picasso, Susan Stewart, Nico Van. Hout, Elisa Urbanelli, and Anne Rebecca Blood. Unfinished: Thoughts Left Visible. New York: Metropolitan Museum of Art, 2016. Print. Kelly Baum- The Raw and The Cooked: Unfinishedness in Twentieth and Twenty-First-Century Art 206-215
Bell, Julian. What Is Painting?: Representation and Modern Art. New York: Thames and Hudson, 1999. Print.
Bellaiche-Zacharie, Alain. "Kierkegaard and Pessoa: The Use of Pseudonyms and Heteronyms." - Cairn International. N.p., n.d. Web.
Benedetti, Robert L. The Actor in You: Twelve Simple Steps to Understanding the Art of Acting. Boston: Pearson, 2015. Print.
Benson, Ciarán. "No Sad Imperialist of the Aesthetic Self- The Artist Brian O'Doherty." Dublin Review of Books. Dublin Review of Books, 6 Mar. 2011. Web.
Berger, John, and Jean Mohr. Another Way of Telling. New York: Pantheon, 1982. Print.
Berger, John. And Our Faces, My Heart, Brief as Photos. New York: Pantheon, 1984. Print.
Berger, John. A Painter of Our Time. London: Writers and Readers Pub. Cooperative, 1976. Print.
Berger, John. Portraits: John Berger on Artists. London: Verso, 2015. Print.
Berger, John, Sven Blomberg, Chris Fox, Michael Dibb, and Richard Hollis. Ways of Seeing. London, England: British Broadcasting Corporation, 1973. Print.
Bloch, Ernst. The Principle of Hope. Cambridge, MA: MIT, 1986. Print.
Bollen, Christopher. "The New Abstract." Interview Dec.-Jan. 2014: 163-73. Print. Gregory Edwards p173
Bowie, David. David Bowie: The Last Interview and Other Conversations. Brooklyn, NY: Melville House, 2016. Print.
Bruner, Jerome S. On Knowing: Essays for the Left Hand. Cambridge/Mass.: Belknap of Harvard UP, 1997. Print. Part I; Part III; and Psychology and the Image of Man
Bruner, Jerome Seymour. Actual Minds, Possible Worlds. Cambridge (Mass.): Harvard UP, 1986. Print.
Bruner, Jerome. "Three: The Narrative Creation of Self." Making Stories: Law, Literature, Life. Cambridge (Mass.): Harvard UP, 2003. 63-88. Print.
Bundgaard, Jesper. "Julie Mehretu: The In-Between Place." Louisiana Channel. Louisiana Channel, 2013. Web.
Butler, Judith. Giving an Account of Oneself. New York: Fordham UP, 2005. Print.
Butler, Judith. "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory." Theatre Journal 40.4 (1988): 519-31. Http://www.jstor.org/stable/3207893. Web.
Butler, Judith. Senses of the Subject. New York, NY: Fordham U, 2015. Print.
Cahun, Claude, and Marcel Moore. Don't Kiss Me: The Art of Claude Cahun & Marcel Moore. N.p.: Aperture/Tate, 2016. Print.
Camus, Albert. "The Myth of Sisyphus." The Myth of Sisyphus, and Other Essays. New York: Vintage, 1955. 119-23. Print.
"Carolee Schneemann." UbuWeb Film & Carolee Schneemann. UBuWeb Film & Video, n.d. Web.
Chapman, Harvey. "The First Rule of Creating Fictional Characters." Novel Writing Help. Novel Writing Help, n.d. Web.
"Chapter 6: Divergent Thinking in Psychology: Definition & Examples." Study.com. Study.com, n.d. Web.
Chekhov, Michael. To the Actor: On the Technique of Acting. New York: Harper & Brothers, 1953. Print.
Chiasson, Dan. "Mind the Gap: The Poetry of Rosmarie Waldrop." New Yorker 18 Apr. 2016: 82-83. Print.
Cooks, Andrew. "Between Shadow and Memory (imagining the Garden): A Ramble through the Paradoxes of Space." Thesis. 2015. Http://arrow.monash.edu.au/vital/access/manager/Repository/monash:151140. Monash University. Faculty of Art, Design and Architecture. Art and Design, 02 Dec. 2015. Web.
Coplans, John. "The Private Eye of Philip Guston." Provocations: Writings by John Coplans. London: London Projects, 1996. 227-30. Print.
Coplans, John. Provocations. Ed. Stuart Morgan. Brooklyn: PowerHouse, 2002. Print.
Coplans, John. "Serial Imagery: Definition." Provocations: Writings by John Coplans. London: London Projects, 1996. 77-92. Print.
Courbet, Gustave. The Artist's Studio, a Real Allegory Summing up Seven Years of My Artistic and Moral Life. 1855. Musée D'Orsay, Paris. Musée D'Orsay: Zoom. Musée D'Orsay, 2006. Web.
Couser, G. Thomas. "Identity, Identicality, and Life Writing: Telling (The Silent) Twins Apart." Biography 26.2 (2003): 243-60. Web.
Crichton, Michael. Jasper Johns. New York: H.N. Abrams, in Association with the Whitney Museum of American Art, 1994. Print.
Cumming, Laura. A Face to the World: On Self-portraits. Hammersmith, London: HarperPress, 2009. Print.
David Hockney Reflects on the Exhibition David Hockney: Current. Perf. David Hockney. YouTube/David Hockney Reflects on the Exhibition David Hockney: Current. Telstra Presents, 20 Dec. 2016. Web.
De Guevara, Victor Ladron, and Roberta Mock. "Text Me: Autobiography, Cultural Memory and the Performing Body." Body & Performance Working Group. Proc. of TaPRA Annual Conference, University of Kingston, Kingston. N.p.: n.p., 2011. N. pag. Print.
"Decoding Emily Dickinson." Onpoint. WBUR, 08 Sept. 2010. Web.
Desperately Seeking Susan. Dir. Susan Seidelman. 1985. Film.
"'Desperately Seeking Susan' Turns 30: An Oral History of the Downtown Classic." Yahoo! Yahoo!, 27 Mar. 2015. Web.
Development of Pedagogical Methodology. Information Society Technologies Education and Training School of Tomorrow, Mar. 2004. Web.
D'Harnoncourt, Anne, Marcel Duchamp, and Kynaston McShine. Marcel Duchamp. Munich: Prestel, 1989. Print.
Dickinson, Emily, and Marta L. Werner. The Envelope Poems. New York: Christine Burgin/New Directions, 2016. Print.
Dickinson, Emily. The Poetry of Emily Dickinson. San Diego: Word Cloud Classics, 2015. Print.
DiMarzo, Cindi. "A Little Madness in the Spring. Emily Dickinson's Garden: The Poetry of Flowers, Studio International." Studio International - Visual Arts, Design and Architecture. Studio Trust, 15 May 2010. Web.
Ecrits: The First Complete Edition in English. S.l.: WW Norton &, 2007. Print.
El Arbol De La Felicidad or The Tree of Happiness. Perf. MABO. YouTube/El Arbol De La Felicidad or The Tree of Happiness. MABO Art, 10 Sept. 2016. Web.
"Eleanor Antin." UbuWeb Film & Video. UbuWeb Film & Video, n.d. Web.
Elkins, James. Artists with PhDs: On the New Doctoral Degree in Studio Art. Washington, D.C.: New Academia, 2009. Print.
Eno, Brian. A Year with Swollen Appendices. London: Faber and Faber, 1996. Print.
Facetti, Germano, and Alan Fletcher. Identity Kits; a Pictorial Survey of Visual Signals. New York: Van Nostrand Reinhold, 1971. Print.
"Famous Left Handers." Psychologist World. N.p., n.d. Web.
Fig, Joe. Inside the Artist's Studio. New York, NY: Princeton Architectural, 2015. Print.
Fig, Joe. Inside the Painter's Studio. New York: Princeton Architectural, 2009. Print.
Filipovic, Elena. "The Apparently Marginal Activities of Marcel Duchamp." Diss. Princeton U, 2013. Print.
Fluid Acrylic Pour Demonstration by Christine Purdy. Perf. Christine Purdy. YouTube/Fluid Acrylic Pour Demonstration by Christine Purdy. Christine Purdy, 23 Sept. 2014. Web.
Forrest, Nicholas. "Review: Cindy Sherman’s Potent Portraits at GOMA Brisbane." Blouinartinfo. N.p., 6 June 2016. Web.
Freud, Sigmund, and James Strachey. The Ego and the Id. New York: Norton, 1962. Print.
Galitz, Author: Kathryn Calley. "Gustave Courbet| Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Met's Heilbrunn Timeline of Art History. Metropolitan Museum of Art, May 2009. Web.
Gammel, Irene, and Suzanne Zelazo. "Wrapped in Cellophane: Florine Stettheimer's Visual Poetics." Woman's Art Journal 32.2 (2011): 14-21. JSTOR. Web.
Gerhard Richter, Painting. Dir. Corinna Belz. Prod. Thomas Kufus. Perf. Gerhard Richter. Kino Lorber, 2011. YouTube. 17 July 2016. Web.
Ghenov, Rubens. "Rubens Ghenov." Rubens Ghenov. Rubens Ghenov, n.d. Web.
Golden High Flow Paint Fun. Perf. Kim Beinschroth. YouTube/Golden High Flow Paint Fun. Kim Beinschroth, 8 Nov. 2013. Web.
Goldsmith, Kenneth. Uncreative Writing: Managing Language in the Digital Age. New York: Columbia UP, 2011. Print.
González, Laura. Make Me Yours: How Art Seduces. Newcastle upon Tyne, UK: Cambridge Scholars, 2016. Print.
Goodman, Elyssa. "A Touch of Autobiography in Cindy Sherman’s New Classic Hollywood Portraits." Hyperallergic. N.p., 06 June 2016. Web. .
Goodyear, Anne Collins, and James W. McManus, eds. AKA Marcel Duchamp: Meditations on the Identities of an Artist. Washington, D.C.: Smithsonian Institution Scholarly, 2014. Print.
Goodyear, Anne Collins., James W. McManus, Janine A. Mileaf, Francis M. Naumann, and Michael R. Taylor. Inventing Marcel Duchamp: The Dynamics of Portraiture. Washington, D.C.: National Portrait Gallery, Smithsonian Institution, 2009. Print.
Gopnik, Blake. "Cindy Sherman Takes On Aging (Her Own)." The New York Times. The New York Times, 24 Apr. 2016. Web.
Gray, Carole, and Julian Malins. Visualizing Research: A Guide to the Research Process in Art and Design. Aldershot, Hants, England: Ashgate, 2004. Print.
Gray, Peter, PhD. "The Value of Play I: The Definition of Play Gives Insights." Psychology Today. Sussex Publishers, LLC, 19 Nov. 2008. Web.
Green, J. C. R. Fernando Pessoa: The Genesis of the Heteronyms. Isle of Skye: n.p., 1982. Print.
Greene, Terry. "David Sylvester on Painting." Just Another Painter. Terry Greene, 30 Apr. 2017. Web.
Greene, Terry. "David Sylvester on Philip Guston’s Paintings (Circa 1963)." Just Another Painter. Terry Greene, 28 Dec. 2012. Web.
Greene, Terry. "Philip Guston Quotes on Painting." Just Another Painter. Terry Greene, 06 Dec. 2011. Web.
Greenwood, Robin. "What Paint Does." Abstract Critical. N.p., 16 Jan. 2012. Web.
Greg Minah: Painting | Method. Perf. Greg Minah. YouTube/Greg Minah: Painting | Method. Greg Minah, 6 Dec. 2011. Web.
Gross, Jennifer R., and Ruth L. Bohan. The Société Anonyme: Modernism for America. New Haven: Yale UP in Association with the Yale U Art Gallery, 2006. Print.
"GUERRILLA GIRLS." YouTube. YouTube, 1 May 2014. Web.
Guiles, Fred Lawrence. Legend: The Life and Death of Marilyn Monroe. New York: Stein and Day, 1984. Print.
Guiles, Fred Lawrence. Norma Jean: The Life of Marilyn Monroe. New York: McGraw-Hill, 1969. Print.
Gustafson, Donna, and Susan Sidlauskas. Striking Resemblance: The Changing Art of Portraiture. New Brunswick: Zimmerli Art Museum, 2014. Print.
Hall, James. The Self-Portrait: A Cultural History. London: Thames & Hudson, 2014. Print.
"Handedness-Influence & Personality Psychology." Psychologist World. N.p., n.d. Web.
Hannula, Mika. "Catch Me If You Can: Chances and Challenges of Artistic Research." Art & Research: A Journal of Ideas, Contexts and Methods Spring 2.2 (2009): 1-20. Web.
Hannula, Mika, Juha Suoranta, and Tere Vadén. Artistic Research Methodology: Narrative, Power and the Public. New York: Peter Lang, 2014. Print.
Harris, Samela, and Sheryl-Lee Kerr. "Ern Malley." Ern Malley: The Official Website. Samela Harris, 2003. Web.
Harrison, Charles, and Paul Wood. Art in Theory 1900-1990: An Anthology of Changing Ideas. Oxford ; Cambridge: Blackwell, 1997. Print.
Haskell, Barbara, and Milton Avery. Milton Avery. New York: Whitney Museum of American Art in Association with Harper & Row, 1982. Print.
"Hedwig and the Mirror Stage." Critical Theory Fall 2013 Blog. Vanderbilt University English Department, 8 Nov. 2013. Web.
Hernandez, Carlos Ignacio. "A One-Man Show for Five People." Off the Wall. Frances Lehman Loeb Art Center at Vassar College, 28 Feb. 2012. Web.
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Howard Hodgkin: Absent Friends. Dir. Miriam Perez. Prod. PerryDuke. Perf. Paul Moorehouse. Howard Hodgkin - Absent Friends - Gagosian NOW - Gagosian. National Portrait Gallery London/Gagosian Gallery, n.d. Web.
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Judovitz, Dalia, and Marcel Duchamp. Unpacking Duchamp: Art in Transit. Berkeley: U of California, 1995. Print.
Kaprow, Allan, and Jeff Kelley. Essays on the Blurring of Art and Life. Berkeley, CA: U of California, 2003. Print.
Kierkegaard, Søren, Howard V. Hong, and Edna H. Hong. The Essential Kierkegaard. Princeton, NJ: Princeton UP, 2000. Print.
Kjørup, Søren. Another Way of Knowing: Baumgarten, Aesthetics, and the Concept of Sensuous Cognition. Bergen: Bergan National Academy of the Arts, 2006. Print.
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Molderings, Herbert, Frederick Kiesler, and John Brogden. Marcel Duchamp at the Age of 85: An Incunabulum of Conceptual Photography. Köln: Verlag Der Buchh. Walther König, 2013. Print.
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Nelson, Maggie. The Argonauts. Minneapolis, MN: Graywolf, 2015. Print.
Nelson, Robert. The Jealousy of Ideas: Research Methods in the Creative Arts. Fitzroy, Vic.: Ellikon, 2009. Print.
Nimkulrat, Nithikul, and Tim O'Riley. Reflections and Connections: On the Relationship between Creative Production and Academic Research. Helsinki: U of Art and Design, 2009. Print.
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O'Brien, Tim. The Things They Carried: A Work of Fiction. Boston: Mariner, 2009. Print.
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