During this Skype session Laura and I discussed the work I am preparing to bring to NYC in January. Regarding the journal pages Laura brought up how she was struck by their relationship to each other as being cinematic in nature, like film frames. She mentioned the possibilities of working with time, varying the duration of the viewing of the images, and the possibilities of working with the images as film frames to achieve this. Laura suggested I check out the films of Paul Sharits and Martin Arnold, specifically Sharit’s Epileptic Seizure Comparison (1976) and his flicker films, as well as Arnold’s Passage a l’acte. Although I had forgotten both of these filmmakers, upon seeing the films again I recalled seeing and being influenced by the films in the early 1990s when I was taking filmmaking classes as an undergrad [though I was more familiar with Arnold’s Piece Touchee (1989), than Passage a l’acte].